The race for Best Picture Oscar this year is impressive, to be sure. It includes perhaps the filmmaker dearest who are currently working (Bridge Steven Spielberg's spies), a heavy, issue-driven story (video) stories post-apocalyptic (Mad Max: Fury Street) and the dramedy finance from a man who made Anchorman (The Big Short), among others. A movie is not likely to be given a lot of shooting out the award is Brooklyn, which is a shame because it deserves some love. Maybe it will not win, but here's why it should.
Brooklyn is not a film showiest in the list of Oscar nominees best. We're talking about subtle understated image is changing quietly and full of period detail, fully immersed in the world of 1950s New York.
Based on the novel of the same name by Colm Toibin and adapted by Nick Hornby (About a boy), the story follows Eilis Mr. Lawrence A. Lacey (Saoirse Ronan), a woman of Irish young, with the expectation that at home have been sent to the US to New York films for a life better. This is not the one thing you have not seen displayed on the screen; Overall, the tale of immigration takes better known as an arc that travels to America, Eilis is home sick, try to adjust, and gradually found a way which not only solved, but it grow and grow and make a home. What really sets Brooklyn apart is slow of stunning performances in the middle of the movie that they sell the story and characters and investments in the on-screen action.
Everything in Brooklyn, the obvious meaning is that Saoirse Ronan and Eilis is just another part of the most complete character of the year. At the beginning of the film, she is quiet and mousey and shy, browbeaten by the witch her bad boss in a grocery Ireland small character a passive subject to the whims of those around her, and have little or no commitment to yourself. The duration of the film through a pressing need, she evolves, taking responsibility of her own life, like never before, in a delicious, convenient way. You need to see the changes until she returned to Ireland and know that she was a completely different person than she was when she left. What is Saoirse Ronan delivers performance is easily the best young career, but already done remarkably well and she can to her Oscar.
While Saoirse Ronan is the star around which the rest of our galaxy of Brooklyn, meaning this the MVP, this is Emory has unsung Mr. Cohen, playing Mr. Tony Fiorello, regional Brooklyn Dodgers son obsessed of immigrants - Italy, and interest from love Eilis. goofy and sweet, he can easily fall into a note, a nice role as a man, but he brings an attractive and dramatic depth and emotion to what could be a flat support otherwise.
When Eilis back to Ireland, where she encountered the impression of love has the potential of a new (Domhnall Gleeson, always perfect) found that expectations, career and life at home, near family that was not there before. Tony, what pulled her back, making her decision is simpler and less cut and dry. If there was anything he brings to the character, as an important option in the middle of Brooklyn will not carry the weight it did not.
Even outside of the core of the star Saoirse Ronan, Emory Cohen and Domhnall Gleeson, creating a love triangle across the Atlantic, the body of Brooklyn across the country. Jim Broadbent moral character of his priest with a tender humanity, even if only a small number of scenes! Julie is Mr. Walters as women who run home board Eilis "in the region, Brooklyn, is sharp and biting, but funny and warm; Lin Ms. Bett Rickard Arrow's Eve
There is a reason to visit Brooklyn is and why it could walk away with the Best Picture Oscar on Sunday. Will it? That remains to be seen, but at least the performance should give it a legitimate chance. Regardless of how much, if any, it will take home the trophy, Brooklyn is a movie you need to take the time to see and that will continue to go up over the years.
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